Sarzameen movie lo Kajol, Prithviraj lead roles lo act chesaru, Kashmir backdrop lo untu, oka army family drama la chupinchadam jarigindi. Kani actual Kashmir conflict ni touch cheyyakunda, surface level lo drama veskoni audience ni connect cheyyalekapoyindi. Harman character lo Ibrahim Ali Khan debut chestu, story ni twists tho push cheyyadam try chesina, screenplay lo clarity lekapovadam movie ki minus ayindi.
Colonel Vijay Menon (Prithviraj) ni intro lo oka jaya ga chupistaru—separatist Qaabil ni capture cheyyadam. Kani next scene lo immediate ga, family party lo tan son ni ignore cheyyadam tho, tan cold nature ni establish chestaru. Harman (as a kid) stammer tho speech cheyyaleka baadha padatadu, guests reaction and father’s disappointment tho scene emotional ga untadi.
Vijay, army focused person ga chupinchadam tho, tan son ni weak ani feel cheyyadam clear ga untundi. Meher (Kajol) try chestundi family balance cheyyadam ki, but Vijay ki army image important. Oka roju Harman kidnap ayyadam tho story serious direction lo velthundi. Terrorist Qaabil demands prisoner exchange, but even after that Harman return avvatledu.
Years tarvata, oka young man who calls himself Harman army sweep lo dorikadu. Ibrahim Ali Khan act chesina ee Harman, Kashmiri la untadu, but parents ki resemblance ledu. Vijay suspicious ga react chestadu, wife Meher ni hurt chestadu with his doubts. Ee conflict house lo tension create chestundi.
Story lo important conflict: Harman original vaadu na, ledha? Qaabil tho connection unda? Ee questions tho movie suspense maintain cheyyalani try chestundi. But screenplay lo depth ledu. Ibrahim acting lo inexperience visible ga untundi, expressions lo confidence miss ayyindi.
Kajol character Meher ki limited screen space icharu. She’s just a worried mother, inka em emotions express cheyyatledu. Ee role ki Kajol la strong performer ni waste chesaru. Even father-son emotional track lo kuda proper development ledu.
Kashmir backdrop use chesina, actual Kashmiri culture, language, atmosphere ki relevance undadhu. Manchi snow visuals, soldiers, fences chupistaru, kani local feel ledu. Terrorist Qaabil ni dignity tho act chesina K.C. Shankar ki proper backstory ivvaledu.
Muslim identity ni negative ga use cheyyadam, stereotypes ni reinforce cheyyadam movie lo disturb cheyyadam start chestundi. For example, Harman hand tho tinadam ni link cheyyadam religion tho cheyyadam inappropriate. Ee laga multiple scenes lo insensitive representation untadi.
Sarzameen ni compare cheste, Mission Kashmir (2000) or Ground Zero la movies at least honest attempt chestayi Kashmir reality ni chupinchadam lo. Kani Sarzameen superficial level lo untundi.
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Direction wise, Kayoze Irani (son of Boman Irani) first movie lo experience lack telustundi. Scenes lo clarity ledu, emotions half-baked ga vuntayi. Screenplay ki grip ledu, so audience involve avvalekapotharu.
Production values baagunnayi, visuals rich ga vunnayi, but story ni lift cheyyatledu. Music forgettable. Emotional depth miss ayyi, ending kuda predictable and flat ga untadi.
Final ga cheppalante, Sarzameen oka wasted opportunity. Kashmir ni story ki backdrop ga use chesi, actual issues ni ignore chesindi. Kajol, Prithviraj range actors ni cast chesina, strong writing and direction lekapovadam valla movie connect avvalekapoyindi.
Summary: Sarzameen movie looks rich, but soul lekapoyindi. Story emotional ga start avutundi, but ending lo impact create cheyyatledu. Watch chesina tarvata, oka vacuum feeling untadi
